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The Stranger / Albert Camus ; translated from the French by Matthew Ward ; with an introduction by Peter Dunwoodie.

By: Contributor(s): Material type: TextLanguage: English Original language: French Series: Everyman's library ; 139 | Everyman's Library: Classical ; 139Publisher: New York : Vintage Books, 1993Distributor: New York : Random HouseDescription: xxxv, 123 pages 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
Audience:
  • General
  • Adult
ISBN:
  • 9780679720201
Uniform titles:
  • Etranger. English.
Subject(s): Genre/Form: DDC classification:
  • 843/.914 20
LOC classification:
  • PQ2605.A3734 E813 1993
Online resources: Awards:
  • Albert Camus-Nobel Prize in Literature-1957
Summary: The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.
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Item type Current library Collection Call number Status Barcode
Books Idaho Springs Public Library Classic CLA CAM (Browse shelf(Opens below)) Available 3ISPL00144690X

Includes bibliographical references (p. xxviii-xxix).

The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.

Translated from French.

Albert Camus-Nobel Prize in Literature-1957

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