The world of Watteau, 1684-1721, by Pierre Schneider and the editors of Time-Life Books.

By: Contributor(s): Material type: TextTextSeries: Time-Life library of artPublisher: New York, Time, inc., [1967]Description: 191 pages illustrations (part color) 31 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
Audience:
  • General
Subject(s): DDC classification:
  • 760/.0924
LOC classification:
  • ND553.W3 S35
Summary: Watteau's influence on the arts (not only painting, but the decorative arts, costume, film, poetry, music) was more extensive than that of almost any other 18th-century artist. According to the 1911 Britannica, "in his treatment of the landscape background and of the atmospheric surroundings of the figures can be found the germs of Impressionism". The Watteau dress, a long, sacklike dress with loose pleats hanging from the shoulder at the back, similar to those worn by many of the women in his paintings, is named after him. A revived vogue for Watteau began in Europe during the Victorian era and was later encapsulated by the Goncourt brothers and the World of Art. In 1984 Watteau societies were created in Paris and London. Since 2000 a Watteau centre has been established at Valenciennes.
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Holdings
Item type Current library Collection Call number Status Barcode
Books Books Idaho Springs Public Library ANF 760.09 SCH (Browse shelf(Opens below)) Available 3ISPL00203945W
Books Books John Tomay Memorial Library ANF 760.09 SCH (Browse shelf(Opens below)) Available 31030100149061

Bibliography: p. 185.

Watteau's influence on the arts (not only painting, but the decorative arts, costume, film, poetry, music) was more extensive than that of almost any other 18th-century artist. According to the 1911 Britannica, "in his treatment of the landscape background and of the atmospheric surroundings of the figures can be found the germs of Impressionism". The Watteau dress, a long, sacklike dress with loose pleats hanging from the shoulder at the back, similar to those worn by many of the women in his paintings, is named after him. A revived vogue for Watteau began in Europe during the Victorian era and was later encapsulated by the Goncourt brothers and the World of Art. In 1984 Watteau societies were created in Paris and London. Since 2000 a Watteau centre has been established at Valenciennes.

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